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PAINTING restructures what I see, how I remember. Landscape, remembered stories, found objects and images, are starting points. Colour, composition, mark making create visual tensions, contradictions that reveal patterns of time and place. I want to tease a line between observed reality and something more unpredictable.

I often begin outdoors in remote or abandoned places, landscapes, “with a past”. Returning to the studio, I engage imagination, consider my own romantic notions of memory and displacement. I want to disrupt nostalgic narratives but also explore the aesthetic choices of memory.

I am based in Edinburgh, Scotland and a member of Scottish Artist’s Union, Studio 1.1, London, Scottish Contemporary Art Network, Scottish Society of Artists, Visual Arts Scotland