Drawn away/Please hold, 2026

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When I migrated to rural Angus in Scotland from Brooklyn in 1990, the internet did not exist. The farm cottage we rented had no phone, but there was a red phone box a mile up the road. Walking there, a jar of change in my hands, I would call my twin sister in California, my parents on the East Coast. Using the phone box was a commitment; it was usually nighttime and often inclement weather. There was uncertainty. Would they be home? Did I have enough change? Would we be able to say all that we wanted to say?

Calling from a phone box is a lost way of communicating. Single-purpose, point-to-point, and tied to an exact location, the electric signal travelled through copper wire and powered itself. It was dependable in emergencies. Calls were virtually untraceable.

To draw is to call; to call is to draw a line through distance.

Drawn away/Please hold is a temporary immersive drawing in a rural red phone box, Gallery 201 in Strathkinness, Fife.

Using chalk to cover the inside, scratching, erosion, repetitions accumulate like failed connections, echoes, delays, a counterpoint to our now frictionless world. 

Graffiti incorporates poetic prompts drawn from Chilean poet Pablo Neruda’s Book of Questions, his final work written in exile.  They circulate like unanswered calls. An imperfect transmission. 

Will you pick up?

Many thanks to 201 Gallery curator Lada Wilson and photographer Alan Robertson