Yew tree project: painting in the landscape

Last week, the sun was shining in Scotland, and everyone seemed to be out enjoying it. I took full advantage, spending three days painting in the landscape at Limefield House, a Georgian mansion near West Calder. In October, I was commissioned by Limefield House to create work about the ancient yew trees on the property—some more than 1,000 years old. They grow in a strange promenade (no one is quite sure why), winding through other striking trees like Monkey Puzzle and Canadian Redwood. The commission is wonderfully open—simply to make paintings—which has felt like a dream come true. Over the…

Yew tree project: exploring the ancient trees at Limefield House

Painting project to capture ancient yew trees At the end of 2024 I was delighted to receive a commission from Limefield House, a Georgian property outside Edinburgh, to create paintings inspired by the yew trees on the grounds. Limefield Mansion House built in 1805 is steeped in history and surrounded by trees, monkey puzzle, Canadian redwood and a promenade of yews estimated to be at least 1000 years old. The yew tree project is to create two large paintings but in the process I will develop a body of work including paintings, drawings, photographs and possibly time-lapse video. I want to…

What is the strangest thing you ever found on a beach?

  BLOCK ISLAND, RHODE ISLAND, USA The 4 miles of beach past Southwest Point on Block Island in the summer is hot, littered with trees, boulders, the detritus of the shipping industry it is also empty of day-trippers and family beach parties. The wild ocean facing side of the island here evidence and artifacts lie everywhere but the people are far away, the arc of existence described by a million pointless objects. Decisions that were made elsewhere and long ago. GYRE, The piece I created for Reuse, Reinvent Reimagine started with the beachcombing ; the process of acquiring junk, trash,…

In my studio – prevaricating

Spending what feels like half my life in the studio these days – probably should be more than that given the show is only 6 weeks away….This weekend went to the Ambulance Depot to work out what kind of lighting I should use when there is 2D work and moving image in the same show. I was really lucky to be able to borrow lighting kit from Screen Academy and to have Drew on hand to run up and down a ladder but I am afraid I am no clearer….I need ‘lots of lights’ and then ‘no lights’ ? Really?…