Critical commentary, Summerhall

Paul Robertson, Curator, Summerhall, Edinburgh, 2014

Hag-Ridden is a triumph of installation.

Works as diverse as overlaid drawing-paintings on opaque caravan windows, scraped carbon-paper scenes from Hitchcock’s ‘Vertigo’ and video films all explore a landscape of haunted, absent houses and, related, the gulf of loneliness when one twin is away from its own carbon-paper copy.

Marcoux is an excellent artist and she has begun a career that hints at a remarkable developing talent.”